Marc Ribot, who had played with the Lounge Lizards, John Zorn, Tom Waits, and the Jazz Passengers, demonstrated his fluid style, capable of bridging cacophony and melody in a smooth and swinging manner, on Rootless Cosmopolitan (1990), featuring jazz masters Don Byron on clarinet and Anthony Coleman on keyboards, and one of the few albums to evoke Peter Green's End Of The Game. Ribot's followed that achievement with the minimalist noir jazz of Requiem For What's His Name (1992) and the relentless sonic (and frequently dissonant) assault of Shrek (1994).
Sunday, April 6, 2008
MARC RIBOT
Marc Ribot, who had played with the Lounge Lizards, John Zorn, Tom Waits, and the Jazz Passengers, demonstrated his fluid style, capable of bridging cacophony and melody in a smooth and swinging manner, on Rootless Cosmopolitan (1990), featuring jazz masters Don Byron on clarinet and Anthony Coleman on keyboards, and one of the few albums to evoke Peter Green's End Of The Game. Ribot's followed that achievement with the minimalist noir jazz of Requiem For What's His Name (1992) and the relentless sonic (and frequently dissonant) assault of Shrek (1994).
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